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Iwan Tirta Batik

Kebayoran Baru, South Jakarta (flagship), with galleries across Jakarta

📍 Jalan Wijaya XIII No. 11A, Jakarta 12160, Indonesia | Plaza Indonesia, Jalan M. H. Thamrin Kav. 28-30, Jakarta 10350, Indonesia | Level 1, Plaza Senayan, Jl. Asia Afrika No. 8, Jakarta 10270, Indonesia | Ground Floor, Pondok Indah Mall 2, Jl. Metro Pondok Indah, Jakarta 12310, Indonesia | Level 1, Alun-Alun Indonesia, Grand Indonesia, Jalan M.H. Thamrin No. 1, Jakarta Pusat 10310, Indonesia

What Iwan Tirta Batik is known for

Iwan Tirta Batik continues the archive of Iwan Tirta (1935–2010), the Yale-trained lawyer who studied with royal batik makers in Surakarta and created more than 10,000 designs. The house sells menswear, womenswear, fabrics, accessories and home pieces from that archive, with bespoke tailoring; its current official store list includes Iwan Tirta Home on Jalan Wijaya XIII plus Plaza Indonesia, Plaza Senayan, Pondok Indah Mall 2 and Alun-Alun Indonesia at Grand Indonesia.

Iwan Tirta was born Nusjirwan Tirtaamidjaja in 1935 in Blora, Central Java, and trained as a lawyer at Yale Law School. His path changed in the 1960s when a research project on the sacred court dances of Central Java drew him toward batik; rather than learning the craft from family, as most batik makers did, he apprenticed under royal batik makers inside the Surakarta palace.

Tirta spent years documenting batik traditions across Indonesian villages, publishing his first book on the subject in 1962. Through the 1970s and 1980s he is credited with an early revival of batik as fashion design, staging elaborate runway collections built on Javanese court motifs; his cloth was worn by public figures including South African president Nelson Mandela.

By his death in 2010, Tirta had created more than 10,000 original batik designs, an archive the brand bearing his name still draws from. Today the label produces menswear, womenswear, fabrics, scarves and bags, and home textiles alongside bespoke tailoring and corporate commissions, positioning itself as custodian of his design record rather than a successor designer.

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