Columbia Sportswear's flagship store in downtown Portland, Oregon, at 911 SW Broadway - the outdoor-apparel company's home city and largest branded retail location.
Best for Outdoor jackets and sportswear
Columbia Sportswear operates its flagship retail store at 911 SW Broadway in downtown Portland, Oregon - the company's home city, where it has been headquartered since Columbia's founding as a small hat distributor in 1938 (later grown by the Boyle family, notably Gert Boyle, into a major outdoor-apparel brand). The Broadway flagship carries the company's outerwear, sportswear, footwear, and accessories lines for men, women, and children, positioned in the city's historic downtown retail district. It is distinct from the separate Columbia Sportswear Company Employee Store, also located in Portland, which operates as a discount outlet for employees rather than a public flagship.
The Portland outdoor giant founded by Gert Boyle’s family in 1938 — Omni-Heat reflective insulation, PFG fishing gear and honest weatherproofing at fair prices.
Best for Dependable outdoor gear without the premium markup.
Not Japanese but relevant — the Portland knitter that uses Japanese fabrics, the varsity jacket specialists, and the American brand that demonstrates Japanese textile prestige transcends denim.
Best for Portland knitter, Japanese fabrics, varsity, textile prestige.
Portland, Oregon menswear (now increasingly unisex) boutique opened November 11, 2011 by fifth-generation retailer Justin Machus, carrying designers like Engineered Garments and Rick Owens alongside an in-house label cut in Los Angeles.
Best for Independent menswear and footwear
Machus opened in Portland, Oregon on November 11, 2011, founded by Justin Machus, a fifth-generation retailer whose family has worked in Portland fashion retail for decades — his mother continues to run a women's clothing store, Rupert Cornelius, tracing back to a shop his grandfather opened in 1974. Before Machus, Justin had run a different Portland store, Local35, for eight years, giving him firsthand experience of the 2008 recession and the retail contraction that followed. He designed Machus to be a more tightly focused, "directional" store than Local35 had been — originally a menswear specialist, though the assortment has grown increasingly unisex over time. The shop curates emerging and independent designers rather than obvious majors, stocking labels such as Engineered Garments, Rick Owens, Arc'teryx Veilance and Naked & Famous Denim alongside a Machus private label of core cut-and-sew pieces produced in Los Angeles. Beyond clothing, the store carries accessories — bags, footwear, jewelry, sunglasses — and an apothecary section of fragrance and skincare. Machus originally operated on Burnside before relocating to a historic 1909 red-brick building at 1101 SW Alder Street in downtown Portland's West End. Justin Machus has described the store's role in terms of education and introduction, positioning small independent retailers like his as a proving ground where newer designers find their first real audience.
Pearl District shop opened November 2014 by four local partners, stocking only goods made by Portland-area makers-apparel, food, jewelry, home goods-selected by a rotating buying panel.
Best for Exclusively Portland-made goods, from apparel to food products.
MadeHere PDX opened in November 2014 in Portland's Pearl District, in a storefront that once housed a Powell's Books technical annex, directly across the street from the main Powell's store. It was founded by four partners-John Connor, Paul Herring, Chris Elkins, and Bob Davis-who brought backgrounds in retail and hospitality to a single rule for what goes on the shelves: the maker has to actually make the item themselves, in the Portland area. The shop grew from that single Pearl District location: an East Side outpost opened on Mississippi Street in 2017, and MadeHere Home followed in June 2018 as the brand's first store dedicated solely to furniture and home decor.
Crafty Wonderland is a Portland institution with two retail shops, on SW 10th Avenue downtown and NE Alberta Street, showcasing handmade goods from more than 200 local makers. It also runs twice-yearly craft markets at the Oregon Convention Center and sells its curated selection online.
Tender Loving Empire is a Portland-founded gift shop and record label that has paid out $21.2 million to local and indie makers and musicians since 2007. It operates multiple storefronts across Portland and Seattle, including airport locations, alongside a full online store.
The Shop at PAM is the Portland Art Museum’s online store, stocking Claude Monet prints, French Moderns exhibition catalogues, jewelry, scarves and home decor. It ships museum-inspired gifts, books and accessories to shoppers beyond Portland, extending the museum’s exhibition and collection themes into a broad retail assortment that can be ordered directly online.
Outdoor footwear brand founded in 2003 by Martin Keen and Rory Fuerst, built around the toe-protecting Newport Sandal Keen designed in 1999; relocated from California to Portland, Oregon in 2006.
Best for Outdoor sandals and hiking shoes
Keen's product story starts in 1999, when competitive sailor and designer Martin Keen created a sandal with a rubberized toe guard to protect feet on deck while keeping them ventilated - the design that became the Newport Sandal. The company itself launched in 2003, founded by Martin Keen together with Rory Fuerst, initially based in California; in 2006 Keen relocated its headquarters to Portland, Oregon, where it remains. The Newport Sandal is credited with popularizing 'hybrid' footwear - outdoor-capable sandals that cross over into everyday wear - and the brand expanded from there into hiking boots, casual shoes and work footwear.
Portland outdoor brand founded in 2011 by Benji Wagner and Kharma Vella, known for camp gear like the Napsack; filed for bankruptcy in 2018, was bought by Pacific & Everest Lifestyle, and relaunched in 2019.
Best for Camping tents and sleeping bags
Poler Stuff was started in Portland, Oregon by Benji Wagner and Kharma Vella, with the concept taking shape from around 2009 and the company formally founded in 2011. It built a following for offbeat, deliberately unglamorous camping gear - most notably the Napsack, a wearable hooded sleeping bag. The company took on venture funding in 2015 to expand, but filed for Chapter 7 bankruptcy shortly before Black Friday in 2018. Its brand and assets were subsequently bought for just over $6 million by Pacific & Everest Lifestyle; co-founder Benji Wagner left the business. About a year later, in 2019, Poler relaunched under the new ownership. It currently operates a store at 3557 SE Hawthorne Boulevard in Portland's Southeast neighborhood.
Portland, Oregon specialty roaster founded 2008 by Matt Higgins and Keith Gehrke; Gehrke's reusable metal Kone filter for Chemex became one of the brand's signature products.
Best for Single-origin pour-over from the Portland roaster behind the reusable Kone filter.
Coava Coffee Roasters traces back to 2008, when founder Matt Higgins began roasting coffee in his North Portland garage for wholesale customers before opening the company's first café at Main and Grand. Co-founder Keith Gehrke, a veteran barista, went on to design the Kone, a reusable metal cone filter built to replace paper filters on Chemex pour-over brewers; it debuted at Coava's brew bar in 2011 and is now sold internationally under the Able Brewing name. The company describes its sourcing approach as building long-term, sustainable partnerships with coffee producers, aiming for a buying model it says is "good for farmers" as well as for the specialty coffee industry as a whole, and it roasts to order rather than holding large finished-bean inventory. Current single-origin offerings are rotated and named individually — a recent example is La Llamarada from Nicaragua, described with tasting notes of almond, apricot, and chocolate cake. The Kone is the clearest distinguishing fact: Coava did not simply adopt pour-over brewing, one of its own co-founders engineered a specific piece of brewing hardware, still sold today, in direct response to the waste generated by paper filters.
Augusto Carneiro founded Nossa Familia Coffee in Portland in 2004, drawing on a Brazilian family history of growing coffee in Brazil's highlands that stretches back to the 1890s.
Best for Brazilian-grown coffee sourced through direct family farming relationships dating back
Augusto Carneiro founded Nossa Familia Coffee in Portland in 2004, drawing on a Brazilian family history of growing coffee in Brazil's highlands that stretches back to the 1890s. The business started with no café and no roastery — just direct relationships with the farmers Carneiro's family already knew — before eventually opening its own roasting facility in Portland's Pearl District in 2012.
That order of operations, relationships first and infrastructure second, sets Nossa Familia apart from roasteries built the other way around: the roaster came nearly a decade after the sourcing model that justified building one.
Over a century of family farming history in Brazil sits behind a Portland roastery that spent its first eight years as pure sourcing relationships before it ever owned a roasting machine.
Steven Smith co-founded Stash Tea and later built Tazo before selling it to Starbucks — by the time he opened Smith Teamaker in a former Portland blacksmith's shop in 2009, he was already one of the people who had shaped how Americans first encountered specialty tea.
Best for Small-batch, origin-driven tea blends with disclosed sourcing
Steven Smith co-founded Stash Tea and later built Tazo before selling it to Starbucks — by the time he opened Smith Teamaker in a former Portland blacksmith's shop in 2009, he was already one of the people who had shaped how Americans first encountered specialty tea. He deliberately rejected the title "tea master" in favor of the plainer "teamaker," a small but pointed distinction for a company built on treating blending as an exacting, hands-on craft rather than a mystique.
The house organizes its work around origin, mastery, and imagination, sourcing premium leaf and disclosing its blending process rather than treating recipes as trade secrets. That transparency, paired with small-batch production out of the original Portland space, gives Smith Teamaker a reputation the company itself describes as closer to haute couture than mass-market tea.
Coming from a founder who had already built and sold two major American tea brands before starting a third from scratch, Smith Teamaker reads as the concentrated, craft-scale version of a career spent defining the category.
Portland, Oregon bean-to-bar chocolate maker founded in 2014 by the Straub family; sources cacao from a single Ecuador farm and runs tasting/factory-tour shops in Northwest and Northeast Portland, including a new lab on NE Farragut.
Best for Bean-to-bar chocolate tastings and factory tours on SE Hawthorne
Creo Chocolate was founded in 2014 by Tim and Janet Straub and their son Kevin, former berry farmers who sold the family farm to move into bean-to-bar chocolate making full time. The company sources cacao directly from Hacienda Victoria, a single farm in Ecuador, and has won more than 100 industry awards from organizations including the Academy of Chocolate and the Good Food Foundation. Creo runs hands-on factory tours where visitors make their own chocolate bar. As of 2025, Creo operates shops at 629 NW 23rd Avenue and 122 NE Broadway in Portland, and opened a renovated chocolate lab and tasting space at 100 NE Farragut Street in September 2025.
Bean-to-bar chocolate maker started in 2011 by Charley and Jessica Wheelock out of their Portland, Oregon home; now operates a manufactory and tasting cafe at 1715 NE 17th Ave in Portland's Irvington-Broadway district, producing single-origin bars from roasted cacao.
Best for Small-batch bean-to-bar chocolate made from cacao beans and cane sugar
Woodblock Chocolate began in 2011 as a home venture by Charley and Jessica Wheelock in Portland, Oregon. Charley took a chocolate-science course at UC Davis and bought hobby-scale bean-to-bar equipment; the couple started producing small batches of chocolate from raw cacao beans in their kitchen. As demand grew they moved production into their own facility, and on June 5, 2018, opened a roughly 1,500-square-foot manufactory and cafe at 1715 NE 17th Avenue, in Portland's Irvington-Broadway neighborhood, where visitors can watch roasting and bar production from the counter.
Portland butcher shop and steakhouse on E Burnside pairing counter-service lunch with full-service dinner. The team makes its charcuterie in-house — pâté, hand-stuffed sausages and smoked ham hocks — alongside butcher-cut steaks and burgers.
Best for House-made charcuterie and butcher-cut steaks in Portland's Laurelhurst.
Portland, Oregon bagel bakery founded in 2011 by father-son team Rick and Raf Spielman; kettle-boiled sourdough bagels across four Portland locations, alongside a wholesale program and in-house coffee roasting.
Best for Portland-style sourdough bagels, kettle-boiled, from the father-son shop opened in 2011.
Spielman Bagels started in 2011 on Southeast Division Street in Portland, in a space later occupied by Scottie's Pizza Parlor, founded by Rick Spielman and his son Raf. Rick's original focus was shade-grown coffee, roasted in-house at a small café; bagels were a side project at first, made in batches of no more than a dozen a day, until the pair's "Portland style" recipe took over as the business's main draw. That bagel combines New York technique with a tart natural sourdough starter, milk, and honey, kettle-boiled before baking to produce what the company describes as a soft, doughy center against a crisp exterior. The business has since grown to four Portland-area locations, more than 60 wholesale accounts, and a catering operation. The father-son founding and the specific technical detail of the sourdough-starter, kettle-boiled process — arrived at through experimentation rather than importing a New York recipe wholesale — are the distinguishing facts here: this is a bagel built and refined locally in Portland rather than a transplanted East Coast formula, with an origin story rooted in a coffee shop rather than a bakery.
European-style luncheonette in downtown Portland (opened 2013) from chef Kristen D. Murray - French-Norwegian pastries, fika-style coffee service, and a short savory lunch menu.
Best for Seasonal savoury and sweet dishes at a French-inspired luncheonette and pastry shop.
Maurice, at 921 SW Oak Street in downtown Portland, opened in 2013 as a French-Scandinavian luncheonette from chef Kristen D. Murray, who drew on her Norwegian heritage and love of France for the concept (and named the restaurant after her pet rabbit). The format bridges a pastry shop and cafe: currant-and-rosemary scones and anisette-chocolate brioche sit alongside a Swedish-style 'fika' coffee break menu, with lunch service after 11 a.m. offering dishes such as pigeon bisteeya, radishes with butter, Norwegian meatballs, and grapefruit-cured gravlax.
Independent Portland record store opened March 15, 1969 by Don and Laureen McLeod with Dan and Patty Lissy on the city's east side. Manager since 1984 Terry Currier bought it from the McLeod estate in 1996; it is now the oldest, largest record shop in the Pacific Northwest.
Best for New vinyl, used records and turntables
Music Millennium opened on March 15, 1969, founded by Don and Laureen McLeod together with Dan and Patty Lissy on Portland's east side. The store grew alongside the city's independent music scene for decades; at its peak the McLeods also ran a second, northwest Portland location and a dedicated classical annex next door called Classical Millennium, which opened in 1977. Terry Currier joined as an employee and became the store's manager in 1984. When founder Don McLeod died in 1996, Currier bought the business from his estate, becoming owner. Currier is also credited with coining "Keep Portland Weird," a phrase that spread beyond the shop to become a civic rallying slogan for the city. Under his stewardship Music Millennium held on as other independent record stores across the country closed, building a reputation as the oldest continuously operating record store in the Pacific Northwest. It stocks new and used vinyl, CDs, and other physical formats, and has long hosted in-store performances by touring and local musicians. In February 2026, with Currier having recently turned 70, the store's ownership publicly began searching for a successor to take over the business rather than sell to developers, having turned down such offers repeatedly over the years. The store's east-side building remains its anchor location.
Jackpot Records has sold new and used vinyl, CDs and collectibles from its Hawthorne Boulevard storefront in Portland since 1997, alongside running its own reissue label. The shop ships nationwide with flat-rate shipping and offers free local pickup.
Independent Portland record store open since 1995; now trades from a single downtown storefront at 1313 W Burnside after downsizing. Its Seattle Capitol Hill branch and other Portland locations have since closed.
Best for Extensive selection of new and used music at a large independent record
Everyday Music was founded in Portland, Oregon in 1995 and expanded to three Portland stores within a few years, later adding a Seattle location on Capitol Hill's 10th Avenue. The Seattle store closed in 2021; former staff salvaged some signage and fixtures but opened a different shop, Royal Records, rather than continuing the Everyday Music name. In Portland the business has also contracted, closing its eastside location and shrinking its downtown Burnside store to half its original footprint. As of its current site, Everyday Music operates from a single storefront at 1313 W Burnside, Portland, open 11am-8pm, 363 days a year, selling new and used CDs, vinyl and DVDs.
Portland vintage emporium since 1999 — buy-sell-trade curated retro fashion from Victorian era to 1990s.
Best for Buy-sell-trade vintage clothing and curated retro fashion
Red Light Clothing Exchange has been a Portland destination for vintage fashion lovers since 1999, recognized as 'Portland's Best Vintage Store' by Portland Mercury Readers Choice Awards 2011. Located at 3590 SE Hawthorne Boulevard, Portland, Oregon, the shop operates as a buy-sell-trade emporium known for its broad, carefully curated selection. They buy and sell men's and women's contemporary and vintage clothing and accessories, stocking popular street wear labels and fashionable garments from the Victorian era through the 1990s. Every piece is curated rather than left for customers to dig through unsorted stock. More women's pieces are available but solid finds exist for everyone. Prices reflect the curation ($25-100 for most pieces), and the store also buys customer clothing on consignment.
Angela Adams is a Maine design house, founded in Portland in 1998 by Angela Adams and Sherwood Hamill, crafting New Zealand wool rugs, totes and home accessories inspired by the natural world. The brand sells exclusively through its online shop and trade portal, with at least 1% of sales supporting environmental causes.
Bard Coffee has roasted and served single-origin lots — from Finca Liquidambar to Rwanda's Mushonyi — at its Old Port Portland cafe for more than a decade. Beans, brewing gear, and subscriptions ship through its online shop.
Best for House-roasted single-origin coffee in Portland Old Port
Bard Coffee opened on Middle Street in Portland's Old Port in 2009 with what its team has described as a singular aim: give the neighborhood a coffee experience it hadn't had before. That mission runs through sourcing as much as service — the roastery buys from the same growers year after year, arguing that repeat purchasing lets it invest directly in consistently exceptional lots and gives farmers stability that coffee-growing regions don't always offer. The current catalog draws on Guatemala, Honduras and Costa Rica in Central America, Ethiopia's Sidamo and Guji zones, Colombia, and Vietnam, roasted in-house across roughly two dozen single-origin and blended coffees. The bright, airy café became enough of a neighborhood fixture to win the 2025 Portland Old Port Best of Awards for both Best Coffee Shop and Best Iced Coffee. Beyond espresso and pour-over, Bard makes its own syrups with wildflower honey and Maine maple for seasonal drinks, and keeps reliable WiFi for the working crowd that treats the shop as a second office. An online shop extends the Middle Street counter into brewing gear, whole-bean subscriptions and wholesale accounts, letting the same origin-focused list that anchors the physical café reach customers well outside Portland.
Coffee By Design has roasted and served coffee from its Diamond Street coffeehouse in Portland since 1994, building a reputation as a community hub through its Rebel Blend Fund grants and farm partnerships. Beans, brew gear and merchandise are also sold through its online store.
Best for Diamond Street coffee and Rebel Blend Fund partnerships
Harbor Fish Market has sold fresh seafood and live Maine lobster from its landmark Custom House Wharf location since 1966, later adding a Scarborough storefront in 2022. The market ships lobster and seafood nationwide alongside in-person sales at both locations.
Rosemont Market & Bakery has run neighborhood grocery stores across greater Portland, Maine since 2005, sourcing over 60% of its food from more than 115 Maine producers. Its six locations sell fresh produce, bakery goods and prepared meals, backed by a rewards program and online gift cards.
Sea Bags has handcrafted totes and accessories from recycled sailcloth at its Custom House Wharf workshop in Portland, Maine, sustainably manufacturing every piece in the USA. The nautically inspired designs are sold both in-store and through its online shop.
Standard Baking Co. has baked bread and pastries from its Commercial Street storefront in Portland, Maine since 1995, founded by Alison and Matt Pray using locally sourced grains and techniques inspired by village bakers. Its baguettes, croissants and Maine-grain loaves are sold in the shop and through online ordering.
Best for Down East Magazine's 'Best Bakery' Reader's Choice pick
Standard Baking Co. opened in 1995 on Portland, Maine's Commercial Street, founded by Alison and Matt Pray with a stated aim of baking the way village bakers once did — daily breads and sweets made for neighbors, not for scale.
The bakery bakes with locally and sustainably sourced grains, turning out artisanal breads including a baguette, a Maine Miche, a Maine 5 Grain loaf and a sesame spelt loaf, alongside breakfast pastries such as croissants, pain au chocolat and morning buns, plus scones, financiers, brownies and cookies. Its own description of the approach: "We try to make the same thing every day, but better than the day before."
The bakery has been featured by Down East Magazine, the Boston Globe, Insider.com, the James Beard Foundation and Condé Nast Traveler, and Down East named it "Best Bakery" in its Reader's Choice awards. Standard Baking still operates from its original Commercial Street address, open daily with a dedicated window for special-order pickup.
516 NW 12th Avenue, Portland, OR 97209, United States / Portland / United States
Founded 1989 by Ron and Jennifer Rich; 1998 they opened the Pearl District retail space with an urban paper mill and letterpress shop behind the counter. Stationery Trends (2019) independently: retail opened 1998 in the Pearl with a view into the print shop and mill.
Best for Paper, letterpress printing and an urban mill in the Pearl District.
1233 SW 10th Avenue, Portland, OR 97205, United States / Portland / United States
Portland's paean to the clean, functional aesthetic, stocked by owners Craig Olson and Sean Igo with Japanese, European and local maker objects. Emily Henderson's Shop Small Portland guide independently names Canoe as a long-favourite high-end gifts/home/kitchen door.
Best for Japanese, European and local maker objects for home and kitchen.
Portland, Oregon perfume house founded by self-taught perfumer Josh Meyer, who began mixing scents in his basement around 2010 and launched the line in 2012 with artist Ashod Simonian; each fragrance is framed as a book by a fictional author.
Best for Story-driven American indie.
Imaginary Authors was created in Portland, Oregon by Josh Meyer, a self-taught perfumer who started experimenting with fragrance formulas in his basement around 2010. He partnered with creative director Ashod Simonian, whose illustrated artwork appears on every bottle, and the pair launched the brand's debut line of seven scents in 2012, each built around an invented book and its invented author. Meyer has since released dozens of fragrances through the label, including 'Memoirs of a Trespasser' and 'Cape Heartache.'
Maine Potters Market, a pottery cooperative at 376 Fore Street in Portland's Old Port, was established in 1978. The shop sells handmade pottery from its member potters, each with a distinctive style.
Portland, Oregon niche perfume house created 2008 by self-taught perfumer Josh Lobb; Norne (2012) is a dense fir, pine and hemlock-forward fragrance inspired by black metal and northern woodlands.
Best for Ultra-dense resins.
Slumberhouse is an independent perfume house created in 2008 by Josh Lobb, a self-taught perfumer based in Portland, Oregon. The brand is known for dense, unconventional compositions with an emphasis on natural materials. Norne, launched in 2012, is one of its best-known scents - built around a trio of coniferous accords (fir, pine and hemlock) layered with spice, frankincense and moss, made largely from natural absolutes. Lobb has described the fragrance's inspiration as coming from his own appreciation of black metal, paired with the northern forest landscapes it evokes. It sells primarily direct via its own website rather than through wide retail distribution.
Portland, Oregon leather-goods label founded in 2006 by Sam Huff and Matt Perusich, who began hand-making belts and wallets; the line has since expanded to include internationally-made pieces.
Best for USA leather goods, wallets
Tanner Goods was founded in 2006 in Portland, Oregon, by Sam Huff and Matt Perusich, who met in 1998 while working together at a resort in their shared hometown of Sisters, Oregon. They began making natural vegetable-tanned leather belts and bifold wallets by hand in a small workroom behind their first NW Portland retail space. Over roughly a decade the company grew from that 150-square-foot room into a 10,000-square-foot workshop and office with around 35 staff, retail locations in Portland and Los Angeles, and wholesale distribution across roughly 80 markets in North America and another 80 across Europe, Australia, Japan and South Korea. While Tanner built its name on goods made in the USA, the company has since also worked with makers abroad for specific lines, including leather bags produced in Leon, Mexico, and footwear made in Helsinki, Finland.
Portland, Oregon leather goods maker started by Matt Pierce in 2010 as a DIY project blog before growing into a full workshop, now based in a roughly 3,800 sq ft space in North Portland's Eliot neighborhood. Named after Woodrow and Faulkner, two streets Pierce previously lived on in Kansas.
Best for PNW accessories, leather
Wood & Faulk is a Portland, Oregon leather goods company founded by Matt Pierce, who started it in 2010 as a blog documenting his own DIY leather projects rather than as a formal retail business. The brand's name comes from Woodrow and Faulkner, two street names from places Pierce had previously lived in Kansas. The company's turning point came with what Pierce called a 'leather wear-in belt experiment' — selling a limited run of vegetable-tanned leather belts and asking buyers to document how the leather aged and changed over time — which generated enough interest that Pierce shifted from blogging about projects to manufacturing and selling them directly. The product range has since grown to include belts, bags, duffles, wallets, watch straps and outdoor accessories such as a camping stool associated with the brand. Wood & Faulk sources leather from tanneries across the United States and now operates out of a roughly 3,800-square-foot workshop and warehouse space in North Portland's Eliot neighborhood, having grown from a one-person blog-based operation into a small manufacturing business with wider wholesale distribution through retailers such as Huckberry-adjacent shops, The Hoxton's retail arm, and other independent menswear stockists.
Area names come from each shop’s published address record; ORBIS does not invent neighbourhoods.
ORBIS city intelligence
Portland will try to sell you a caption before it sells you a house. The pink box, the bird bicycle sticker, the tote that only says the city's name, and the Camp Vibes slogan all arrive faster than a named knit, a recraftable boot, or a cacao lot. The rain is real. The makers are real. That weather and that work are not the same thing as a quirky lifestyle tin with a doughnut on the lid. Buy the maker and the indie house that still name a workshop, a fibre, a last, a roast date, or a pressing. Leave the pilgrimage that only needed a Portland adjective.
An honest day here is shorter than the Keep Portland Weird map suggests. You can walk Pearl and the West End before lunch, cross the river to Hawthorne and East Burnside for vinyl and vintage, and still refuse the Old Town doughnut line that tries to stand in for the city's shopping identity. The refusal is the work. A recycled pouch without a maker, a pink assortment bought as proof of Portland, and a Maine lobster roll photographed as Oregon will all try to replace Dehen wool and Danner leather. Those objects exist. Some of them even taste good. They are not why this list is worth walking.
Portland is not one continuous gift street. Pearl holds boots, Keen Garage, and the maker aggregator opposite Powell's. The West End holds indie menswear, Japanese cloth, and the outdoor flagship. Central Eastside holds coffee and tea houses with windows onto roast and blend. Hawthorne holds vinyl, vintage, and a camp-gear door that needs confirming. East Burnside holds the oldest large record shop claim in the Pacific Northwest and a butcher who still cures. Factory knit and dark leather are separate chapters. Admit the fragmentation. The route improves when you stop treating every pink window as proof that you understood the city.
What Portland is genuinely good for buying
Come for boots with a recraft path, Portland-knit varsity and wool, Japanese vintage textiles worked into American accessories, vegetable-tanned leather from a named Oregon house even when the retail door is dark, indie menswear with a fitting conversation, Portland-area maker floors that print maker cards, single-origin coffee and origin-disclosed tea, bean-to-bar chocolate with a farm name, kettle-boiled bagels and house charcuterie you will eat soon, and vinyl from shops that still grade condition. Portland is less useful as a generic quirky-souvenir capital than as a comparison room for Pacific Northwest making that survives rain and fashion cycles.
The smallest purchases often carry the city best. A scarf with a weave you can name, a tea lot with an origin on the label, a cacao bar with two ingredients, a record you will play Tuesday, or one MadeHere object with a Portland workshop card can reveal more than a tote that only says the city's name. Serious purchases need maker, materials, condition, service, storage, and an invoice useful at home.
Portland-made, Portland-stocked, Portland-themed, and Portland-photographed are four different claims. Keep them separate. A Burnside address and immaculate packaging are not provenance. A district reputation is not evidence for every seller within it. A slogan that mentions Camp Vibes is not a sleeping bag.
The textile and boot houses that still argue
Start with the factories and fitting rooms, not the slogan wall.
Danner keeps a brand store at Union Way, 1022 W Burnside Street, Suite i, across from Powell's in the Pearl arcade. There is also a Factory Store at 12021 NE Airport Way, Suite B, where recrafting lives. Portland boots since 1932. Mountain Light, Gore-Tex pioneer claims, and USA-made recraftable icons are the checkable objects. Begin with the last and the leather you will walk in rain, not with a lifestyle photo of a trail. Record size, Gore-Tex or leather build, whether the pair is current production or a factory find, and how recrafting works later. Ask whether the pair is current production or a factory find. Ask how recrafting works later, what the turnaround looks like, and whether the build is leather or membrane for the weather you actually have. Stand in the pair on the arcade floor long enough that the last tells you something. Record size and model name before you leave. A boot with a service path is a purchase. A souvenir keychain of a boot is a tin.
Dehen 1920 still knits in Portland at 1040 NE 44th Avenue, Suite #3. William Peter Dehen founded the knitting company in 1920. Expect varsity jackets, heavyweight wool, and Japanese fabric collaborations. Public access is appointment and factory-sale first, not a casual downtown window. Ask which garment is made in the Portland factory, which cloth weight you are holding, and whether the varsity you want is stock or made to order. A cardigan you will wear through winter is a purchase. A lookbook of American heritage without a size is not.
Kiriko holds 1001 SW Morrison Street downtown, with sister kitchen shop Kokoro at 986 SW Morrison across the street. Japanese vintage fabrics worked into American craft: scarves, ties, accessories, and cloth you can name by weave. Ask which textile is vintage and which is new production, how to care for indigo or wool, and whether the piece is one-of-one. A scarf with a fibre story is a purchase. A "Japanesque" souvenir without a cloth name is another tin.
These five doors already separate maker house from lifestyle corridor. Everything later is judged against them.
Indie menswear, maker floors, and museum cloth
Machus keeps one brick-and-mortar door at 1101 SW Alder Street in the West End. Justin Machus opened on 11 November 2011; fifth-generation Portland retail family. Expect Engineered Garments, Rick Owens, and an in-house label cut in Los Angeles. Ask fit, cloth, and whether the piece on the rail is designer stock or Machus brand. One jacket you will wear is a purchase. A rack of logos bought as scene is a tin.
MadeHere PDX sits at 40 NW 10th Avenue in the Pearl, opposite Powell's, in a storefront that once held a Powell's technical annex. Opened November 2014 by local partners; exclusively Portland-area makers for apparel, food, jewelry, home. Ask which maker made the object in your hand and whether it was selected by the buying panel. A candle or knife with a Portland workshop name is a purchase. A generic "local" gift without a maker card is not.
Crafty Wonderland runs downtown at 808 SW 10th Avenue and also at 2022 NE Alberta Street. More than two hundred local makers, plus twice-yearly markets at the Oregon Convention Center. This is a maker aggregator, not a tourist junk drawer. Ask who made the print, ceramic, or textile, and whether the piece is edition or one-off. One object with a name beats a basket of unsigned charms.
Tender Loving Empire keeps a West End door at 412 SW 10th Avenue, with other Portland and Seattle locations. Gift shop and record label since 2007; the house claims millions paid out to indie makers and musicians. Use it for a named local object or a record you will play. Refuse the shelf that only sells Portland as a mood.
The Shop at PAM lives inside the Portland Art Museum at 1219 SW Park Avenue. The shop also sells online. Jewelry, exhibition catalogues, scarves, home objects tied to the collection. Buy something that continues a show you actually saw. A Monet keyring without the show is another caption.
These rooms keep maker talk and cultural talk in the day. They are not substitutes for Dehen or Danner when you came for cloth and boots. Use them to fill gaps the factories and fitting rooms leave: a gift with a maker card, a record, a catalogue, a second textile argument. Machus for one jacket conversation. MadeHere for one Portland-area maker object. Crafty Wonderland for one named print or ceramic. Tender Loving Empire for a record or a maker gift that survives the who-made-this test. PAM shop only after a museum visit you actually took.
Outdoor houses that still belong here
Columbia Sportswear Flagship anchors 911 SW Broadway downtown. Home-city flagship for the outdoor company headquartered here since the Boyle family story began in 1938. Expect Omni-Heat, PFG fishing gear, and honest weatherproofing at fair prices. Ask membrane, insulation, and intended use. A shell for real rain is a purchase. A logo hoodie bought as Portland proof is a tin.
Columbia headquarters is at 14375 NW Science Park Drive. That campus is not a casual boutique. Prefer Broadway for the walk-in. Do not confuse the employee store at 14100 NW Science Park Drive with the public flagship.
Keen keeps Keen Garage at 505 NW 13th Avenue in the Pearl. Check the official Portland Garage page for summer hours. Company relocated headquarters from California to Portland in 2006. Newport sandal with toe guard is the founding design story (1999 design, 2003 company). Try the pair for the wet sidewalk you actually have. Ask sole, width, and whether the model is current. A sandal or hiker you will use is a purchase. A toe-guard novelty magnet is not.
Poler Stuff still lists a Portland store at 3557 SE Hawthorne Boulevard on the official Our Story page. Founded in Portland in 2011 by Benji Wagner and Kharma Vella; Napsack and camp gear; bankruptcy filing in 2018 and relaunch in 2019. Confirm hours; it has been closed Tuesday and Wednesday. Buy a sleeping system or bag you will camp with. Refuse hollow Camp Vibes merch that only sells the slogan.
Outdoor here is weather and use. It is not a lifestyle tin of trail adjectives.
A useful outdoor morning in Portland ends with wet socks avoided and a model name written down. If you leave Broadway, Keen Garage, and Union Way with only brand stickers and no sizes, you performed tourism. If you leave with a shell membrane named, a Newport width checked, and a Mountain Light or Bull Run size recorded, you shopped. Recrafting at the Airport Way Factory Store is a later chapter that makes the boot purchase honest over years, not a weekend.
Coffee, tea, chocolate, and food craft as material
Coava Coffee Roasters holds the Flagship at 1300 SE Grand Avenue. There is also an espresso bar at 2631 SE Hawthorne and a Cafe & Roastery at 1015 SE Main Street. Founded 2008 by Matt Higgins and Keith Gehrke; Gehrke's reusable metal Kone filter for Chemex is the signature tool. Buy a single-origin bag that matches the brew method you own. Ask roast date and which lot is on pour-over. A kilo you will finish is a purchase. A café selfie is not.
Nossa Familia Coffee pours at 1633 SE 3rd Avenue, with another cafe at 2007 SE Division and roastery offices at 3530 NW St Helens Road. Augusto Carneiro founded the company in Portland in 2004 on Brazilian family farming relationships dating to the 1890s. The emphasis is on relationships before infrastructure. Ask farm and process. Direct family lots are the material; vibe is not.
Smith Teamaker blends and pours at Teaworks, 110 SE Washington Street. A second tasting room sits at 500 NW 23rd Avenue. Steven Smith built Stash and Tazo before opening this small-batch house in 2009. Expect origin-driven blends with disclosed sourcing. Ask origin, blend name, and whether you are buying sachets or loose leaf. A tea you will steep at home is a purchase. A pretty tin without leaf talk is a lifestyle tin.
Creo Chocolate now points visitors to 629 NW 23rd Avenue, with Chocolate Lab tastings at 100 NE Farragut and a NE shop at 1618 NE 1st Avenue. Straub family bean-to-bar since 2014; cacao from Hacienda Victoria in Ecuador; the house has won awards. Mentions of SE Hawthorne factory tours are stale. Book a tasting if you want the lab. Buy a named bar. Do not plan a Hawthorne pilgrimage without checking the current map.
Woodblock Chocolate runs manufactory and tasting cafe at 1715 NE 17th Avenue in Irvington-Broadway. Charley and Jessica Wheelock began at home in 2011; bars from cacao beans and cane sugar. Ask origin and percentage. A bar with two ingredients you can name is a purchase. A novelty shape without cacao talk is not.
Laurelhurst Market butchers and serves at 3155 E Burnside Street. House-made charcuterie, hand-stuffed sausages, smoked ham hocks, butcher-cut steaks. Buy meat or pâté you will eat this week. Ask cut and cure. Food craft is freshness, not a steakhouse selfie.
Spielman Bagels kettle-boils at 2111 SE Division Street among other Portland cafes (Broadway, Lovejoy, Multnomah Village). Father-son shop opened 2011; Portland-style sourdough bagels. Buy bagels for tomorrow's breakfast. Ask boil and bake timing. A dozen you will eat beats a branded tote.
Maurice holds 921 SW Oak Street downtown. Kristen D. Murray's French-Scandinavian luncheonette since 2013; pastry, fika-style coffee, short savory lunch. Eat here as a pause between West End doors. Take pastry home if it will be eaten today. Do not treat Maurice as a souvenir bakery tin.
Coffee, tea, chocolate, and butcher craft here are lots, cures, and dates. They are not Nordic or weird lifestyle props. If the counter cannot name origin, roast, cure, or bake timing, you are buying atmosphere.
Taste flights at Smith when they pour. Compare Coava and Nossa Familia as two different sourcing arguments, not as twin cafe selfies. Compare Creo Hacienda Victoria against Woodblock cacao-and-cane as two different chocolate methods in the same city. Eat Laurelhurst charcuterie the week you buy it. Boil timing at Spielman matters more than a branded tote. Maurice pastry belongs to today. That discipline is the food-craft half of the thesis.
Vinyl houses on the east side
Music Millennium keeps 3158 E Burnside Street. Opened 15 March 1969; Terry Currier, manager since 1984, bought from the McLeod estate in 1996; claimed as the oldest large record shop in the Pacific Northwest. New vinyl, used records, turntables. Ask pressing, condition, and whether the copy is new or used. A record you will play is a purchase. A crate photo without a checkout is a tin.
Jackpot Records holds 3574 SE Hawthorne Boulevard. Opened 1997; new and used vinyl plus the shop's own reissue label. Same rule: buy music, not atmosphere.
Everyday Music now trades from a single downtown storefront at 1313 W Burnside Street. It occupies the west side of the building only; its other Portland and Seattle doors have closed. Extensive new and used stock remains. Confirm you are going to Burnside, not a vanished branch.
Red Light Clothing Exchange sits at 3590 SE Hawthorne Boulevard. Buy-sell-trade vintage since 1999. Ask era, fibre, and condition. A coat you will wear is a purchase. A rack of costumes bought as Portland weird is a tin.
Vinyl and vintage here are indie houses. They are not props for a quirky caption.
Give Music Millennium the time a 1969 house deserves. Give Jackpot the time a reissue label deserves. Give Everyday Music the respect of navigating to the Burnside door that still exists. Give Red Light an era and fibre question before a costume joke. Hawthorne and East Burnside are not Instagram crates. They are counters that still grade condition.
The Maine cluster and the pink-box refuse
Seven shops in this guide are in Portland, Maine. Do not walk Oregon looking for them. Old Port showrooms, Custom House Wharf seafood and sailcloth, Diamond Street coffee, Brighton Avenue grocery, and Commercial Street bakery are real Maine craft and food doors. A lobster roll photographed on a Maine wharf does not become a Portland Oregon purchase.
Angela Adams showroom: 40 Free Street, Portland, ME. Maine design house for New Zealand wool rugs and textiles since 1998.
Bard Coffee: 185 Middle Street, Portland, ME. Old Port cafe-roaster.
The thesis fails when a pink box stands in for a chocolate house, when Camp Vibes stands in for a sleeping system, when a Maine wharf stands in for an Oregon maker, when a closed leather door is published as open, when a factory appointment is sold as a casual downtown window, and when a museum keyring replaces a named weave. It also fails when the buyer collects seven maker cards and still cannot name a last, a fibre, a roast date, or a pressing. Quantity of doors is not the method. Named objects are the method.
The thesis holds when Dehen wool, Danner leather, Kiriko cloth, Tanner tannage, Wood and Faulk workshop production, Machus fit, MadeHere maker cards, Coava lots, Smith origins, Creo and Woodblock cacao, Music Millennium pressings, and Jackpot reissues occupy the bag and the notes. Those objects survive rain and fashion cycles. Captions do not.
Separate chapters: Dehen 1920 factory appointment; Spielman Bagels on Division; Nossa Familia Coffee on SE 3rd; The Shop at PAM with a museum visit. Do not force Tanner or Wood & Faulk into a walk-in chapter while retail is dark or unproved.
Carry notes: boot size and recraft path, wool weight, leather tannage, roast date, tea origin, cacao farm, vinyl pressing, maker name on the MadeHere shelf. If you cannot fill those fields, you bought a tin. Rain will wet your notes; keep receipts dry. Before dinner, read the list aloud. If any line is only a slogan, walk back to a house that still answers with a workshop name. That closing check is the day method.
Portland's best shopping is still a city of workshops and indie counters that survive rain and fashion cycles. The quirky lifestyle tin is loud. The maker houses are quieter and more expensive in attention. Spend the attention. Leave the pink box for someone who came for a caption.
What to refuse out loud
Refuse the doughnut line as identity. Refuse Keep Portland Weird merch that names no maker. Refuse Maine Old Port doors as Oregon errands. Refuse a closed Tanner Goods window presented as open. Refuse Camp Vibes copy when you cannot name the sleeping bag. Refuse a Science Park Drive campus visit when you meant Broadway. Refuse a stale Hawthorne factory-tour story for Creo when the official map points to NW 23rd and the Lab. Refuse a vanished Everyday Music branch. Confirm the current Poler shop address before planning a visit; the recorded street number is disputed. Refuse a tote whose only skill is the city name. The city has enough continuous houses that you do not need those substitutes. Write the maker. Walk the indie house. Leave the quirky lifestyle tin on the shelf.
Method notes for a wet city
Portland rain is a fitting room. A shell from the Broadway flagship, a Danner last that survives puddles, and a Keen sole that grips wet sidewalks are not lifestyle props. They are tools. Carry a short paper list inside a zip bag. Write boot size, wool weight, roast date, tea origin, cacao farm, vinyl pressing, and maker name. If a line stays blank after a door, you bought a caption at that door.
Trimet streetcar and bus corridors cover Pearl, West End, Central Eastside, Hawthorne, and East Burnside. Do not plan the Maine cluster into those corridors. Do not plan a Science Park Drive campus stroll into a Broadway shopping morning. Do not plan a dark Albina retail door into a Pearl walk. Appointment knit at NE 44th is a separate calendar block. Eliot workshop leather is a write-first chapter. Confirm Poler before you climb Hawthorne for camp gear.
Chocolate splits west and east. Creo on NW 23rd and the Lab on Farragut belong to a Nob Hill or northside chapter. Woodblock on NE 17th belongs to an Irvington chapter. Neither should be forced into a Hawthorne vinyl hour. Cedar Hills Creo, if open, is suburban and not the central route pin.
Food craft closes the day honestly. Laurelhurst Market across from Music Millennium gives you charcuterie or a steak you will cook. Spielman on Division gives you tomorrow breakfast. Maurice on Oak gives you a West End pause. None of them are souvenir tins if you eat what you buy.
What the slogan hides
Outdoor language needs the same discipline. Columbia Omni-Heat and PFG are product systems with intended use. Keen Newport is a sandal with a toe guard and a founding year. Poler Napsack is a sleeping system. None of those words are interchangeable with Camp Vibes as a caption. If you cannot name the product under the slogan, refuse the slogan.
Vinyl language needs condition. Music Millennium since 1969, Jackpot since 1997 with a reissue label, Everyday Music since 1995 now on a single Burnside front: ask new versus used, ask pressing, ask whether you will play the record. A crate photograph is not a purchase method.
Closing argument
Portland shopping identity is not a doughnut line, a bird sticker, or a Camp Vibes caption. It is a recraftable boot, a Portland factory knit, a Japanese vintage weave, a vegetable-tanned belt even when the shop is dark, an indie menswear fitting, a maker card opposite Powells, a Kone pour-over lot, an origin tea, a Hacienda Victoria bar or a two-ingredient Woodblock bar, a 1969 record shop pressing, and a butcher cut you will cook tonight.
The quirky lifestyle tin is loud. The maker houses are quieter and more expensive in attention. Spend the attention. Leave the pink box for someone who came for a caption. Leave Custom House Wharf for Maine. Leave Keep Portland Weird merch that names no workshop.
Buy the maker and the indie house. Not the quirky lifestyle tin.
Shopping in Portland, Oregon can mean finding cloth with a Japanese history or paper made from cotton scraps. Kiriko and Oblation make that distinction tangible: one works with Japanese textiles, while the other makes paper and prints cards in its own studio.13 Canoe approaches the home through selected design objects. Crafty Wonderland brings local artists together in retail shops, and Smith Teamaker offers a different purchase to take home: tea blended in Portland.679
Start downtown if your interests overlap. Kiriko lists its shop on SW Morrison Street, while Canoe and Crafty Wonderland have separate SW 10th Avenue addresses.289 Oblation's Pearl District shop is farther north. Smith's directory offers both a NW 23rd Avenue tasting room and an address on SE Washington Street.45 These are choices, not a requirement to cross the city for every category.
Kiriko: understand the cloth before choosing the accessory
Kiriko traces its beginnings to scarves and pocket squares sold at Portland craft events. Its account describes sourcing both vintage and contemporary Japanese kasuri fabrics, alongside shibori and boro textiles. The range combines original products with selected craft objects and antiques.1 The official contact page distinguishes Kiriko Made at 1001 SW Morrison Street from Kokoro PDX at 986 SW Morrison Street.2
The useful question is what fabric the particular piece uses. Vintage cloth and newly woven cloth are not interchangeable descriptions, even when their colours look similar. Ask about the material's origin and the construction of the finished object. The shop's interest in Japanese textiles does not establish that every item shares the same age or production history.
A scarf lets you see more of a pattern than a small pocket square. That does not make it the better purchase if you rarely wear scarves. Compare the fabric against clothing you already own, then ask about care. Kiriko's own account joins new work with older materials; keep the selected piece's explanation with it rather than remembering everything simply as Japanese fabric.1
Oblation Papers & Press: paper and printing are separate decisions
Oblation Papers & Press is at 516 NW 12th Avenue in the Pearl District.4 Its studio account describes turning garment-industry cotton scraps into handmade paper. It also explains its letterpress process, in which inked raised forms press an image into heavy paper. Alongside its own paper and cards, the shop carries a selected retail range.3
For a correspondence gift, consider how the recipient writes. A richly textured sheet may invite a different pen from the one used on a smooth notebook. Ask to compare papers suited to the intended writing instrument rather than choosing by colour alone. With a printed card, look at the impression as well as the illustration: the physical surface is part of the purchase.
Custom stationery is a separate project from buying a finished card. Bring the wording and quantity you need, and discuss the process before choosing a design. The shop publishes a separate contact for custom letterpress enquiries.4 Do not assume a short visit can produce a completed commission. A ready-made card is the simpler option when you want something to carry away from the trip.
Canoe: choose an object for the way you will use it
Canoe lists its shop at 1233 SW 10th Avenue.8 Its catalogue ranges from Kaymet trays to Flensted mobiles, with ceramics and other household objects alongside them.7 That makes it a design-selection stop rather than evidence that every object was made in Oregon. Check the maker and production origin of the item that interests you.
A serving tray needs to fit your cupboard as well as your taste. A hanging mobile needs space to move without catching on a nearby shelf. Bring measurements when an object has a particular place waiting at home. Browsing a mixed collection becomes more useful when you can distinguish something you would use from something you merely enjoy seeing on display.
For a gift, think about the recipient's existing home rather than trying to represent the whole city in one object. A small functional piece can be a sound choice even without a Portland motif. Ask about materials and care, especially when comparing similar-looking finishes. The maker's own instructions should settle how the object is used; a shop photograph cannot answer every practical question.
Crafty Wonderland: meet the maker through the label
Crafty Wonderland lists shops at 808 SW 10th Avenue, across from the Central Library, and 2022 NE Alberta Street. Its shop page describes a selection drawn from more than 200 local artists.9 The website separates these retail addresses from its larger craft markets. Its product categories include art prints and cards, with craft kits among the smaller purchases.10
Use the maker's name to guide your browsing. If an illustration appeals, look for the artist credit and ask what other work by that person is available. A postcard and a larger print may suit different recipients, even when they share an image. Check the dimensions before buying a print for a frame you already own.
The downtown shop fits a downtown outing; the Alberta Street branch needs its own destination choice. Neither address should be mistaken for a market venue.910 Buying from a shop that represents many artists also means the product label matters. Keep it with the purchase so that you can identify the maker later, rather than losing that information once the wrapping comes off.
Smith Teamaker: separate the blend from the place it grows
Smith Teamaker lists tasting rooms at 110 SE Washington Street and 500 NW 23rd Avenue. Its directory also identifies an airport shop beyond security, which is not a substitute for a city address.5 The company describes blending tea in Portland from sourced ingredients and printing batch numbers on cartons to support tracing their origins.6
Choose according to what you actually drink. A tea enjoyed plain and one intended for milk may call for different purchases. Ask which packaged tea corresponds to a drink you liked, especially if that drink contains additions. A finished tea latte does not reveal how the underlying tea will taste brewed on its own.
For someone else's kitchen, check loose-leaf versus sachet preference before buying. Smith describes both formats in its range.6 Keep the brewing instructions with the package and note the blend name. Portland is the place of blending described here, not a claim that every ingredient grew nearby. The batch information offers a more useful starting point for understanding origin than the city name alone.
Sources
1 Kiriko, Our Story, accessed September 10, 2026: https://kirikomade.com/pages/our-story-new
2 Kiriko, Contact Us, accessed September 10, 2026: https://kirikomade.com/pages/contactus
3 Oblation, About Us, accessed September 10, 2026: https://oblationpapers.com/about-us
4 Oblation, Contact, accessed September 10, 2026: https://oblationpapers.com/contact
5 Smith Teamaker, Tasting Rooms, accessed September 10, 2026: https://www.smithtea.com/pages/tasting-rooms
6 Smith Teamaker, Wholesale and blending account, accessed September 10, 2026: https://www.smithtea.com/pages/wholesale
7 Canoe, official catalogue, accessed September 10, 2026: https://canoe.design/
8 Canoe, Contact, accessed September 10, 2026: https://canoe.design/pages/copy-of-policies
9 Crafty Wonderland, See Our Shops, accessed September 10, 2026: https://craftywonderland.com/pages/about-shop
10 Crafty Wonderland, official catalogue and market/shop distinction, accessed September 10, 2026: https://craftywonderland.com/
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